The project focuses primarily on the examination of how nature is recapturing Chernobyl after the nuclear catastrophe. Despite the radiation, an abundant self-generated ecosystem has sprung up in the restricted zone over the last couple of years. This paradoxical development has prompted a heated discussion among scientists, but none have been able to fully explain it, as the results of their respective studies do not match.
One group of researchers puts it down to biological aberrations and transformations on a cellular level, another has been able to prove that some species are capable of compensating an increase in radiation by developing cellular strategies that maintain their gene pool. Many scientists believe, however, that the biodiversity and the fact that it developed autonomously, is due to the absence of humans.
Volker Kreidler’s photographic work focuses mainly on the transformation processes and topography of Eastern and Central Europe. In particular, social space as a space of human activity is at the centre of his work. He examines places that symbolise upheaval and change: Border areas and border crossings, transport routes and travel destinations, i.e. collection points where goods, knowledge and ‘human resources’ circulate, characterise the profile of a historically rich and at the same time fragile Europe. The question of visible and invisible interactions between culture and nature is another aspect of the work. Over the years, the focus has shifted from topography to people and their living conditions. The photographic style always aims to create large-format works that represent a piece of reality for the recipient, which requires a sophisticated camera technique and extensive research and preparation.